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【登録タグ A-One L TOHO EUROBEAT presents THE REVIVAL MIX 感情の摩天楼 ～ Cosmic Mind 曲 法界の火 越田Rute隆人】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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https://w.atwiki.jp/niconamadqrta/pages/190.html
【コミュニティ】 ペコ放送局 http //com.nicovideo.jp/community/co1397573 【記録】 【大会実績】 【関連】 Twitter https //twitter.com/pekoniko25 裏 http //www.stickam.jp/profile/peko25
https://w.atwiki.jp/mrfrtech/pages/43.html
Market Scenario The worldwide Banking As A Service Market was anticipated to account for a CAGR of ~25.4% in the forecast period of 2021to 2027. When talking about Banking as a Service (BaaS), it is considered the end-to-end procedure that allows the third parties and financial technology companies to build banking services based on the financial services and infrastructure. Global banking as a service market growth is driving due to the rising usage of financial services like professional counseling, banking, mutual funds, wealth management, stock exchange, insurance, tax/audit consultation, treasury/debt instruments, portfolio management, and capital restructuring across the world. However, banking as a service market growth might experience restraints due to the high cost of adoption for banking as a service technology among various industries. The present market has involved some of the major key players such as PayPal, Green Dot Corporation, Square, SolarisbankAG and others across the world, which is helping the market for banking as a service to thrive in the forecast period. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/10717 Competitive Outlook The global banking as a service market is characterized by the presence of several regional and local providers. Some of the key players in the global market are Twilio Inc. (US), Braintree (US), BOKU (US), Coinbase Global Inc., Dwolla (US), Zettle (Sweden), Fidor Bank (Germany), GoCardless (UK), Gemalto (Netherlands), Intuit (US), Square Inc. (US), PayPal (US), Prosper Inc. (US), Solaris Bank (Germany), and Moven (US). Segmentation As per the banking as a service market analysis, the market has been classified based on organization size, type, and application. Based on the organizational size segment, the market for banking as a service has been segmented into small and medium enterprises and large enterprises. Among all, the large enterprise segment is estimated to hold the largest market share during the review time frame. On the basis of type segment, the current market has been segregated into Cloud-based Bank-as-a-Service and API-based Bank-as-a-Service. In terms of the application segment, banking as a service has been divided into NBFC, government, and banks. Of these, the bank segment is projected to generate the highest CAGR and register the largest market share in the research period. The neo-banks is projected to generate the second largest market share as it serves their potential customers. Regional Analysis Regionally, the global banking as a service market has studied various regions like South America, Asia-Pacific, North America, the Middle East Africa, Europe, and the rest of the world. Among all, the European market is estimated to hold the highest CAGR in the review period because of the presence of FinTech companies, the increasing demand for financial services, and the rise in the utilization of advanced technologies in the region. Also, this region is registered to be the fastest-growing market in the analysis period. The European regional market for banking as a service covered some important countries like France, the UK, Italy, Germany and others. All these countries have higher use of digital payment systems, financial services, and online banking, enhancing regional market growth. As per the report of Management International Conference 2019, internet banking is used by approximately 51% of adult Europeans. Also, this percentage is growing continuously year by year. Industry News In May 2021, the prominent digital transformation solutions provider for lending and banking known as Q2 had declared its partnership with Moven. This partnership has aimed to provide digital transformation solutions for the lending and banking sectors. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/banking-as-a-service-market-10717 Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. View Similar Report** https //ict268262635.wordpress.com/2022/04/06/voice-assistant-market-major-application-third-party-usage-micro-market-pricing-analysis-and-geographical-analysis-forecast-to-2030/ B2B Telecommunication Market https //www.scutify.com/articles/2022-04-12-b2b-telecommunication-market-analysis--geographic-growth-opportunities-for-it-security-and-data- Cash Management System Market https //market-research-future.tribe.so/post/cash-management-system-market-size-receives-a-rapid-boost-in-economy-due-to--625d5382d24f49591bd3befb Learning Management System Market By Application (Corporate, Academics), by Deployment (Cloud, On-Premise), by Service (Administration, Performance Management, Content Management, Communication Collaboration) About Market Research Future At Market Research Future (MRFR), we enable our customers to unravel the complexity of various industries through our Cooked Research Report (CRR), Half-Cooked Research Reports (HCRR), Raw Research Reports (3R), Continuous-Feed Research (CFR), and Market Research Consulting Services. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/touhoukashi/pages/6172.html
【登録タグ A ZYTOKINE itori 廃獄ララバイ 曲 東方 Compilation CD-BOOK 萃星霜 参 死体旅行 ～ Be of good cheer!】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; 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https://w.atwiki.jp/mainichi-matome/pages/696.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Don't risk rubbing your gal the wrong way with second-rate sex toys from China中国製の二流オモチャで彼女に間違ったマッサージなんかしないように 拡散状況 関連ページ Don t risk rubbing your gal the wrong way with second-rate sex toys from China 中国製の二流オモチャで彼女に間違ったマッサージなんかしないように 元記事（削除済み）：http //mdn.mainichi.jp/culture/waiwai/archive/news/2008/02/20080209p2g00m0dm004000c.html On January 26 -- three weeks ago today -- this column introduced an item from Shukan Jitsuwa (2/7) titled "Fetid conditions may make summer Olympics a springboard for spreading sickness," in which the weekly warned Japanese planning visits to China this August that they risked a host of health concerns, from contagious diseases to food poisoning. 三週間前の1月26日、このコラムで週刊実話(2/7)に掲載された「悪臭を放つコンディションが夏のオリンピックを病気蔓延の出発点にしてしまうかもしれない。」というタイトルの記事を紹介した。毎週にわたってこの8月に中国へ行く予定の日本人に、伝染病から食中毒にいたる健康への懸念を警告していた記事だ。 That precaution proved remarkably prophetic. Just six days later, news headlines screamed that 10 people in Chiba and Hyogo prefectures who had consumed frozen gyoza (pork dumplings, a.k.a. pot stickers) imported from China had begun showing unmistakable symptoms of poisoning. その警告は非常に予言的であった。ちょうどその6日後に、中国から輸入された冷凍ギョーザを消費した千葉県と兵庫県の10人が明らかに中毒症状を呈したとしてニュースの見出しを賑わせた。 The cause turned out to be methamidophos, a potent phosphorous-based insecticide, apparently introduced into the gyoza packaging. The evidence at this stage is beginning to point to the likelihood of intentional mischief by someone at the point of origin. 原因は明らかにパッケージの中に注入された有機リン系の殺虫剤であるメタミドホスだと判明した。 この証拠は現時点で何者かがはじめから故意に危害を加えようとしていた可能性を示唆している。 "Chinese are wont to think that if something looks good on the outside, it must be good on the inside," a Chinese student at a national university in Japan tells Shukan Jitsuwa (2/21). "If a cook finds a speck of dog poop on meat, he ll just rinse it off and serve to a customer. Spoiled meat or fish are stir-fried in oil at high temperature and served. They aren t willing to accept the loss of even one yen. 「中国人には、外見が良い物は中身も良いはずだ、と考える習慣がある。」 「肉の上に犬の糞が転がっていても、料理人はそれを洗い流して客に提供する。 腐った肉や魚は高温の油でサッと炒めてから提供される。 彼らはびた一文たりとも支出を許したくないのさ。」 日本の国立大学で学ぶ中国人学生は週刊実話(2/21)にこう答えた。 "The Chinese government has been saying that a successful Olympics would signify China s emergence as a first-class nation," the student sighs. "I disagree. As long as people aren t educated in proper hygiene, China will remain a third-class country." 「中国政府はオリンピックの成功こそが一流国家としての中国の参加を意味すると言ってきた。」 「私はそうは思わない。人民が適切な衛生状態で教育を受けられないかぎり、中国は三流国家のままだろう。」 そういって、この学生はため息をつく。 The number of poisoning victims in Japan is now approaching 2,000 and, of course, the incident has dominated the TV news and print media, including the weekly magazines, for the past 10 days. 日本における中毒被害者の数は今や2000人になろうとしている。もちろんこの事件はここ10日でテレビニュースや週刊誌を含む紙面媒体を席巻している。 But as is frequently the case, Shukan Jitsuwa is once again ahead of the curve in bestowing sensible advice. Just as extreme caution is warranted concerning edibles from China that you insert into your mouth, Jitsuwa slips in a sniggering suggestion that similar safety measures should be taken when inserting items from China into any other body orifice. しかしよくあることだが、週刊実話はまたしても合理的な助言をもたらすことについて一歩先を進んでいる。 あなたが口に突っ込む中国産食品に関する特別な注意が保証されると同時に、実話は中国製品を他人の穴に突っ込む場合も安全対策のようなものが必要だという笑える提案を付け加えている。 To wit, damsels demanding delights through diddling with a dildo -- whether developed in Dalian or devised in Dongguan -- hazard destructive damage. 即ち、自慰に歓喜する乙女たちの用いる張子は、それが大連で生産されたものであろうと東莞で発案されたものであろうと、破滅的な被害の原因となりうる。 "Currently, nearly all the items sold in Japan are imported from China," says the owner of an "adult toy" shop in Osaka s American Village. "I wouldn t say all of them are junk, but maybe about half have high rates of failure. Sourcing shifted to China to keep costs down, but I get the impression they re cutting corners even more than necessary. 「現在日本で販売されるグッズのほぼすべてが中国から輸入されています。」 「それらがすべてガラクタだとは言いたくありませんが、半分は不良品の可能性が高いですね。 コスト削減のために中国へアウトソーシングする傾向がありますが、必要以上にコスト削減している印象を受けます。」 大阪のアメリカ村にあるアダルトグッズ専門店の店長はこう話す。 "I m especially concerned with electric vibrators," the shop owner adds. "Even the ones that at first glance appear imported from the U.S. contain a high percentage of components from China. I ve noticed the silicone used in some has a peculiar smell to it; we won t stock those in our store." 「私は特に電動バイブが心配です。」 「一見アメリカから輸入されたもののようでありながら、そのほとんどの部品が中国製なんてのもあります。 変な臭いのするシリコンが使われていた事に気づいたこともありますよ。そんなものは店に置いておきたくないですね。」 と店長は続けた。 It seems that frustration from frequent failures due to cheap components and careless quality control is not the problem. Rather, young women working in the sex industry, where such devices are frequently put to use by lecherous customers, have been heard to moan -- and not from pleasure -- that soon after a session with a pink rotary vibrator their nether parts "became inflamed" or "began itching persistently." 格安部品や甘い品質管理が原因の不良品によるイライラは問題ではないようだ。 好色な客によって頻繁にそういった器具が使われるセックス産業で働く若い女性の愚痴を聞いたことがある。 快楽からではないが、曰くピンクローターで一発終えた直後、彼女達の性器が炎症を起こしたり、しつこい痒みを覚えたりしたそうだ。 Apparently Chinese plastic manufacturers still make extensive use of polyvinyl chloride (PVC), which has been found to contain phthalate-based polyester, a hormone receptor that some researchers suspect contributes to reduced sperm counts in men and menstrual irregularities in women, among others problems. 明らかに中国のプラスチック製造業者は未だに、とりわけ男性の精子数を減らし女性の生理不順を引き起こす疑いがあるとされるフタル酸ベースのポリエステルを含んでいると認められたポリ塩化ビニル(PVC)をあらゆる用途向けに作っている。 "In Japan, PVC is prohibited from use in nipples for baby bottles and pacifiers," says a Mr. Kuo (nationality unspecified), a representative director of Asian Drug, a distributor for adult goods. "In Europe, the substance has been banned completely. For sex aids like rotors and vibrators, Japanese makers use silicone or ABS resin. You only find PVC in the products brought in from China." 「日本では哺乳瓶の吸い口やおしゃぶりにPVCを使うことは禁止されています。」 「ヨーロッパではこの物質が完全に禁止されています。 日本のメーカーはローターやバイブといったセックスグッズにシリコンやABC樹脂を用いますが、 PVCは中国製にしか見られません。」 アダルトグッズ販売業、アジアンドラッグの代表取締役であるクオさん（国籍不詳）はこう話す。 "Regular consumers can t differentiate between the types of materials, and they re not indicated as such on the labels," Kuo continues. "To be on the safe side, I d advise you slip a natural latex condom over it before use. Then you won t have any problems. 「一般のお客さんは素材の違いなんて見分けられませんし、それらはラベルにも記載されていません。」 「安全性の観点から言えば、使用前に天然ゴムのコンドームをかぶせることをお勧めします。 そうすれば何も問題はありません。」クオさんはそう続ける。 "And men should take similar precautions with onna-hole (synthetic vaginas)," he adds. 「あと男性はオナホール（人工膣）にも同様の注意をはらうべきでしょう。」彼はそう付け加えた。 "Up to now, I haven t consulted with any patients complaining of problems caused by sex toys, but I can t rule out the possibility," remarks Osaka-based physician Yasuaki Ishikawa, an instructor of urology at the Kinki University Faculty of Medicine (okay, stop smirking -- there really is such a place). 「いままでセックス玩具による問題を訴えてきた患者はいませんが、その可能性を排除することはできません。」 近畿大学薬学部で指導教官をつとめ、大阪を拠点とする医師でもあるイシカワヤスアキさんはこう語る。（オーケー、そこニヤニヤすんな。マジでそんな場所(*1)があるんだよ。） Ishikawa says he s encountered a completely different problem rampant Chinese counterfeiting of ED drugs like Ｖｉａｇｒａ and Cyalis. イシカワさんは全く違った問題に直面しているという。バイアグラやCyalisに似た勃起不全治療薬の中国製偽造品が蔓延しているのだ。 "They ll sell five at a time, mixing in one real tablet with four phony ones," he says. "Japanese have been repeatedly swindled. The phonies don t work, and we have no idea what s actually in the pills ingredients. It s really a shady operation, whoever s behind it." (By Masuo Kamiyama, contributing writer) 「あいつらは本物1錠を偽物4錠に混ぜた5錠を一度に売るんですよ。」 「日本人は何度もだましとられてきました。 偽物は効果が無く、錠剤の中に一体何が入っているかも分かりません。 誰が黒幕であろうと、本当にいかがわしい商売ですよ。」(カミヤマ マスオ, contributing writer) 拡散状況 Barely 18 Movies http //www.barely18movies.com/blog/?p=882 Japanese Style Noodles http //www.japanesestylenoodles.com/waiwai/archive20080209 SeekJapan 部分転載：http //www.seekjapan.jp/news/other/2008-02-10 WaiWai Archive http //www.mainichiwaiwai.com/waiwai/2008/02/20080209.php 英語サイト http //forums.morrissey-solo.com/showthread.php?t=83980 部分転載：http //www.japaninc.com/node/2908 Blogger：その他 部分転載：http //folksexualaids.blogspot.com/2008/01/socratea-exorrhiza.html 関連ページ Barely 18 Movies Blogger：その他 Japanese Style Noodles SeekJapan WaiWai Archive WaiWaiの記事を転載した英語サイト：J WaiWaiの記事を転載した英語サイト：M 元記事一覧 毎日新聞英語版から配信された記事2008年
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さんどりよん [ TAG Kaito L-S Miku Orange SignalP title さ] Music SignalP/シグナルP Lyric Orange/orange Arrange SignalP/シグナルP Vocal Hatsune Miku・KAITO Videos PVs ■ Show/Hide Video http //www.nicovideo.jp/watch/sm4410647 http //www.nicovideo.jp/watch/sm4410647 Translations ■ Show/Hide Romaji Asa made odoru yume dake misete Tokei no kane ga toku mahou Aimaina yubi sasou kaidan San-dan tobashi ni hanete iku Basha no naka de furueteta Mijimena furugi mekuri megure yoru no butou Mishiranu kao sagasu sasayaku ano koe ga Nigiri shimeta yaiba tsuki tate subete wo ubaeto Minashigo tsudou shiro emi kamen ni egaite Itsuwari no itsukushimi sae hane de tsutsumu serafu Hai no naka de akaku tokete majiru garasu no kutsu Imasara kaeru furuete iru no Anata ga me wo yaru tokei Kutsu nugi odoru surōpu nukete Nodo made nobiru yubi no saki de Sukuu shizuku kuchi zukete Hashiru shyoudou sebone nukete iku setsuna Kane wa narasa nai de anata ni hizamazuki Mada dame to sakenda migite ga tsuki sasu sayonara Kese nai shyouen wo kousui ni matou hime Tsuyoi hitomi boku no kootta kamen goto uchi nuku Ima mo mimi ni anata no toiki ga Tsuki sasaru no tooi yume Sutendo-gurasu goshi hikaru tsuki ga Kimi ni kabuseta bēru Doresu hiza de saite thiara wa nage sutete Mitsume au hitomi to hitomi ga hibana wo hanatsu Kodoku na tamashii ga honoo age hikare au Sono namida sukue nai nara marude hitori asobi Toki yo tomare ima wa Anata ni yoi shirete Yureru kodou hitotsu hitotsu wo kizami tsukete tai Todomare Atsuku nure uchitsukeru takamari ni Kore ijyou wa ugoke nai yo Marude fearī-teiru 2010-01-26 Translated by blacksaingrain [部分編集] ■ Show/Hide Translation Cendrillon 2010-01-26 First Entry 2010-01-26 21 46 43 (Tue) Last update Trasnlated by blacksaingrain Title Cendrillon Lyric Let (me) dream of dancing till the morning The bells of the clock (would) break the magic Vaguely (those) fingers beckon (me) to the stairs (I) leap (them) up taking three at a time In the carriage (you were) shivering Flick up the miserable rags and dance in the ball at night (I) look for the one (I) do not know. That voice whispers (me) "Thrust the edge (you) hold and take away everything" In the castle orphans get together, drawing smiles on the masks The seraph would take even a false mercy under the wings In the ashes the glass slippers are ruddily melting and merging Knowing too late, (I) get shivers and wish to go back At the clock you glance (I) take off the slippers and dance through a slope By the tips of (your) fingers reached for (my) neck (I) brush a tear and give it a kiss At that moment an impulse runs down the spine Do not ring the bells. As (I) fall on (my) knees to you And cry "Not yet", (my) right hand thrusts "Farewell" (You are) the princess with indelible perfume of gunshot residue (Your) strong eyes penetrate (me) right through my icy mask Still your breath Pierces the ears (of mine),(it would be) a faraway dream The moon shining through a stained-glass window is The veil (I) put on you At the knee (I/you) tear the dress and throw away the tiara (We) gaze into each other's eyes and sparks fly Burning in flames, the lonely souls feel drawn to each other If (I) cannot blush away your tears (It would be) as if (it were) a solitary play (May) the time stop now! Intoxicated by you (I) wish to engrave every swaying throb (on my mind) (May) it stay! Stricken by hotly wet surge (I) cannot move any more As if (it were) a fairy tale Note This is a literal translation except adding some missing words and changing Japanese nominal expression into English verbal wordings. The added words are parenthetic. Since the song is a duet, the subjects switch. Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Last modified 2010-01-26 21 46 43 (Tue) ■ Show/Hide Fan lyric Cendrillon 2010-03-22 First Entry 2010-03-22 08 38 47 (Mon) Last update Trasnlated by angelica Title Cendrillon Lyric Dancing until the morning, it all felt just like a dream But the bell of the clock undoes this ma~agic Ambiguous fingertips beckon me towards the staircase I leap up them, skipping, taking three steps at a time In a horse-drawn carriage, I was shivering Ignore these miserable rags and dance regardless all through the night Look for an unfamiliar face/That stranger whispers softly to you Grasp your blade’s hilt tightly and thrust as hard as you can/Bringing ruin to everything Orphans gather inside the castle/Portraying smiles by means of a mask This untrue compassion is still accepted and/Hides under the wings of seraphim Ashes of a fire burning red mix with the remains of a pair of glass slippers At this time I must go home, but I am still shivering You take a nervous glance towards the clocktower Kicking off my glass slippers, dancing, running, up the slope I extend my fingers and put them around his throat Teardrops fall down her cheeks, I kiss them away But an impulse ran down my spine to fear her in that very moment I don’t ever want the bell to ring/I pray it is never rung by you I knew it was bad; still I shouted, as my right hand/Stabbed him through the heart “adieu” You could not remove the gunpowder/Perfume which surrounds this lovely princess Those powerful eyes so easily froze my mask/And put out the fire within me Even now I can hear the sound of your labored breathing I stabbed him, I stabbed him, in a distant dream Through the stained glass windows, the moon is shining so brightly Like you, its face is draped in a veil Ripping the dress apart at the knee, abandoning the tiara too We look at each other, staring in each other’s eyes/And within them a spark ignites Two lonely souls, burning in the flames, are drawn together inexorably If it’s impossible to brush away the tears/It’s just like a single person play Oh, time, stop for us in this moment/I am intoxicated by you Every one of these wonderful seconds here with you/Makes me want to stick on longer This glorious warm, wet sensation/Inflames my heart in such a striking way I am no longer able to move more than this/So it’s almost like a fairy tale Note This is NOT a literal translation, but rather deliberately written in such a way that it fits the meter of the original song. (The only exception is the second line, where "magic" takes up three syllables.) In many parts preservation of meaning is sacrificed. In particular the second chorus uses quite a bit of artistic license (the concept of knees is thrown out entirely), but I also think it's the part that sounds the best, so. However, I assure you that it can be sung. Honest, I've tried several times. Comment If you have any advise or opinion for this post please write here.この投稿に対して助言、ご意見などありましたらこちらに書き込んで下さい。 Name Comment すべてのコメントを見る Thank you for the contribution. This is a singable fan lyric, so could you change the headline to "English lyrics" or "Fan lyrics" for the clarification? -- (damesukekun) 2010-03-22 14 35 10 Last modified 2010-03-22 08 38 47 (Mon) Original Lyric, Nicosound MP3, etc http //www5.atwiki.jp/hmiku/pages/2070.html http //nicosound.anyap.info/sound/sm4410647 http //www.nicomimi.com/play/sm4410647 Sub video, PV, other fan made video in YouTube (Sandoriyon(Cendrillon)-サンドリヨン（Cendrillon）/コメントログ) [Add] http //www.youtube.com/watch/xxxxxxxxx ADD LINK すべてのコメントを見る (Information in this page is based on HatsuneMiku@Wiki) _
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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/4848.html
【登録タグ ESQUARIA L PLATONIC SOUL ティアオイエツォン(withered leaf) 曲 綾倉盟】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/touhoukashi/pages/270.html
【登録タグ D SENSEASONS いえろ～ぜぶら 曲 藤宮ゆき 魔法少女達の百年祭】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*